Scene (not seen): 2

021814

The second in a series that ponders the question, “How do we know what is real?”

See the first one here.

Brownfield, Texas
photographed 7.16.2012

Posted on February 18, 2014, in Photography and tagged , , , , , , , , . Bookmark the permalink. 13 Comments.

  1. Interesting concept – hope you continue this series for a while.

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    • Thank you, John. I’ve had this idea in my mind for a while; it’s a pretty big departure from what I usually do, so I was hesitant about posting any of the shots. I do plan to continue it, and can hardly wait to see where it ends up!

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  2. This is an interesting concept and I, too, hope you continue to pursue it.
    I have used a similar idea in the past when photographing objects that are on display in the Museum. Sometimes it’s just not feasible to remove the objects for photographing so I have shot them in place. Some smaller objects are usually close by and I have used a masking technique to highlight only the object of interest. Instead of a black and white conversion in the background I used a soft blur on everything except the object being photographed. A light drop shadow and stroke are added to desperate the object further.

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    • Thanks, Ken. I was thinking about this series this morning while I was driving to work, so I guess my mind’s committed to more of these images! I am going to have to start shooting with this project specifically in mind, as there are a lot of situations where this won’t work; the basic scene has to be relatively simple or the end result is too complicated.

      I think it’s good for me to push my own boundaries…

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      • This composition lent itself to the treatment very nicely because it has a separate picture within the picture. While it’s possible to make a picture-in-picture with a lot of files, not all will be as successful as this. It might be possible to train your eye to look for this phenomenon in a shot but it probably is easier to look at a file on your screen and see the other possibilities.Either way, an open mind is critical to the process.

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      • You’re right – so far, anyway, it iIS a lot easier to find these when I am working on the computer. There’s been lot of shots that just didn’t work. But, I have learned that, in general, shots with a lot of sky and/or a relatively empty foreground work best. Good think I live where there are lots of both of those options!

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  3. Since we do not know, we have the option of choosing, this time I choose the dazzlingly green portion. I never knew that green could be dazzling, but there you go…
    PS: I already commented on this concept in your prior image.

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  4. I can attest that the building in Brownfield is green – but perhaps not so dazzling!

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