Blog Archives
Footbridge to the end of the day
This is the next-to-last in our planned collaboration; however, Ehpem and I have another project up our photographic sleeves…
But in the meantime, here’s what he had to say about this place:
Our collaboration continues.
This bridge is built on top of a very large log. I wonder how they got the log across the gap. Perhaps a tsunami dropped it there long ago. What will the resort do when it needs replacing?
This is a lovely spot and the bridge which has bright red railings unexpectedly adds to the beauty. Perversely we both chose to process our photographs in black and white.
Lacking a very wide-angle lens and space to back up for an equivalent look, Melinda chose to emphasis the spider-like pattern of the bridge railings. From her point of view it is creepy to walk into that embrace.
I think these two photos are an excellent example of collaboration. They emphasize quite different aspects of the scene and do so in a way that enhances one another.
Ehpem:
Me:
I have to add that I am jealous of Ehpem’s shot – it’s so wide and gives more of the sense of what that bridge felt like.
Point No Point Resort, British Columbia
photographed 4.21.2015
Place settings that include binoculars
Remember the other day when I said that Ehpem and I would point out things that the other may have missed in our recent photographic wanderings?
This is an example – I pointed out this dining room scene to Ehpem. But that was after his spouse had pointed it out to me.
We spent one night at the Point No Point Resort; it was a great place and all of us would not have minded a longer stay. Our cabin had views of the ocean and distant headlands, a hot tub on the deck, a fireplace. And there were trails down to the ocean.
And the dining room had spectacular views, and binoculars to bring those views closer. How can you not like a place that includes binoculars as part of the regular place settings?
Ehpem:
Me:
Point No Point Resort, British Columbia
photographed 4.22.2015
The rooms beyond
The abandoned house that Ehpem and I explored had a lot of rooms, even though it wasn’t a very big place. We surmised that there’d been more than one addition, which accounted for the chopped-up floor plan. Almost any where we stood gave us views of other parts of the house. Only one room had boarded-up windows, so the morning light bounced around the interior in a very nice fashion. And that light combined with the various building materials and textures, and the shapes of decay gave us plenty of shoot.
Some of our commenters on earlier posts have asked us if we planned our shots with the idea of co-posting. I believe I speak for both of us when I say we’d like to be able to admit to that much planning. But the fact is that we just shot what we liked (though in a few cases there we’d point out something the other one might have missed). We had the benefit of having followed each other’s blogs for several years, and of having very similar interests in our choice of subjects. Shooting with another photographer was a rare treat for me, and I appreciate Ehpem’s willingness to devote time to the photographic cause!
But enough about that. Let’s look at some images!
Ehpem:
Me:
(You can find Ehpem’s companion post here, and the series here.)
Jordan River, British Columbia
photographed 4.22.2015
Ehpem tries to make things right
As you all know, there are far too few Monty Python references in contemporary blogging. Today, as our co-posting series continues, Ehpem tries to remedy that:
Today Melinda and I have taken our collaboration back at Point No Point, which is a bit east of Jordan River. My photo is the one above, Melinda’s below and her co-post is here.
While walking the forest trails we never did meet a Knight of Ni. I think they would have been happy with all the shrubberies in this area so I would not be surprised to hear of a sighting sometime.
I was not aware of her taking a photo, or at least I don’t recall noticing. But we must have stood in almost exactly the same spot to do so. Mine is shot on film and I don’t edit the scans nearly as much as I do digital images; I try to find desired details during the scanning process. Perhaps more could have come out of the shadows and a crop would not hurt, but I like the contrast (so to speak) between our two shots.
This must be a very nice spot to sit at sunset unseen by any boaters below. Though if you get too comfortable and a bit drowsy, as is likely, you could easily be startled by a Ni! exclaimed behind you, and the slithering hiss of chain mail.
Ehpem’s bench:
My bench:
Point No Point Resort, British Columbia
photographed 4.21.2015
The handwriting was on the wall
Literally. It was right there on the wall.
This is the fourth installment of the co-posting experiment with Ehpem, which makes it my turn to write our post.
As you might have noticed from my blog, I do like to find a nice, abandoned place to photograph. And Ehpem came through as a great photographic-tour guide – we found an excellent abandoned house and spent quite a long time inside making photos. (Kudos to Ehpem’s wonderful and patient spouse for waiting for us!) There was much to be seen, and photographed, in the place, and we tried to be diligent about capturing it all. The house had the look of some deliberate dismantling, but the more recent changes seemed to be more along the lines of nature reclaiming what once was hers.
There were several places where the walls were down to brown paper that had some very artistic things happening (don’t worry: we got plenty of shots of that!). But we also spotted a couple of places where a long-ago carpenter had made notes right there on the wall. It was an excellent find.
(You can find Ehpem’s companion post here, and the series here.)
Ehpem:
Me:
Jordan River, British Columbia
photographed 4.22.2015
